(Due to the size of the letters, looks a lot better zoomed in!)

This font was created around the theme of 'filthy' and 'decay'. The final design was inspired by fungus spores and bacteria at a microscopic level. I took inspiration from existing fonts -Norway Round- and -Cubano-.  

A 4x3 pixel font with the focus on good readability and consistency which is set as round and light as possible, compromises were only made where the distinctiveness of the typeface would suffer.

60's - 70's intergallactic television shows were the inspiration for this font, while it originated as a simple Arial Bold font. Stretched and squeezed through space and time itself, this typeface is sure to have geeks and nerds alike on the edge of their seats and begging for more. 

A really tiny font which uses only about 15/64 of a brick per glyph. This could have been even smaller, of course, but I wanted it to be readable, so I used 3x5 forms. This means I can do a 3x4 lowercase later if people want it.

Is there any practical use for this? Probably not. But, at the original size, the entire Lorem Ipsum text takes up about half of one line, so that's something. :D

A compressed, squareish microfont. 4x4, monospaced, no wasted matrix.

I like how this one uses all the space it occupies. Glyphs like ijl1 fill out the words they're in rather than creating voids. Also, i looks kind of like a lit candlestick, and I like that.

*

Original size: 3pt (use multiples of this size for pixel perfection)

A variant of Gridlarva with filters removed and many letterforms altered.

An attempt at Gridbug in 2x2!

Another 2x2 doodle. :^)

Stemless superminimal 2x2. It's small yet bold, much like Napoleon!

Oh look, more pixel letters

Squareish, slightly futuristic 2x2 design. It's made to fit in with industrial, sci-fi, and Soviet-style aesthetics. It's also far more internally consistent than my other 2x2 designs!

Because this uses so much nudging, diacritics will be impossible unless I composite many of the existing glyphs or place the diacritics really high... I'll think about it...

A minimized Minishark. How does that make it Mega? Well it's MEGA COOL.

I think this is the first 5x5 connected-outline design on FS!

A rounded version of Pixelcruiser Flagship. I think rounding it off both made it better-looking and more readable! This now looks like something I'd use in pixel comics.

A tiny font made for pixel art tutorials and streamer use. The inspiration comes from old art of video game controllers which I used to make, in particular the letters ABCLRXYZ which I drew many times on many controller buttons. The more complex letters (B,E,M,W) take on slightly abstract forms for neatness' sake.

Since these glyphs are all 4x4 unicase, compositing them for use in Fontstruct tutorials might save you a lot of work. Feel free to clone this for such a use.

Original size: 3pt (use multiples of this value for pixel perfection)

See also: Four on the Floor, Glyphstamp 1x1

Super-tiny! This begins to approach the lower limits of visual interpretability. It's still far more readable than any 3x3 pixel font I've yet seen, though.

Like Four on the Floor, this font uses every trick I have picked up as a pixel artist and font artist to make itself as readable as possible. I consider this one suitable for general reading (e.g. when making pixel art tutorials or depicting book texts in pixel games), but only just.

Original size: 3pt (use multiples of this value for pixel perfection)

Another attempt at the challenging 4x4 grid. Only those characters which I could fit into the 4x4 grid were included. This time, I think I managed to get near the level of quality and style typical of a 5x5 font!

This is probably the smallest font most people would ever want to use for general reading. It took no trivial amount of experience and experimentation to come up with!

If you use this to make assets, you can use color separation to fit 4 glyphs onto an 8x8 tile or 16 onto a 16x16 tile. Check out my profile page for more microfonts you can use in your games!

Original size: 3pt (use multiples of this value for pixel perfection)

3x3 cipher, based on version 0.3 of "Micromaze". It uses its own form of binary notation for the numerals, wherein the upper-right 4 pixels play the role of the 1, 2, 4, and 8.

This is the smallest font in which I was able to give a unique symbol to every glyph (excluding the lower/upper case, which look the same). It reads sort of like Pigpen Cipher, but is more densely written.

Since MMC is obscure and of constant width/height, it serves many "gibberish" and "placeholder text" purposes in addition to being a modestly strong cipher.

Original size: 2pt (use multiples of this value for pixel perfection)

Experimental 2x4 font. Not the most legible, but maybe useful as a cipher. It requires some contextual knowledge of what you are reading for the best result.

Original size: 6pt (use multiples of this value for pixel perfection)

Fairchild Channel F - PROPORTIONAL (font edition)
Video Entertainment System (VES - original name)
https://en.wikipedia.org/wiki/Fairchild_Channel_F

Collection of text characters, 1976-1981 Fairchild
5x5 / 4x5 / 3x5 US-ASCII valid fonts, 2018-04 dpla
Fairchild derived from the old 7-segment numerics.

Breakthroughs of this 2nd-gen video game console:
. first artificial intelligence (AI) in game,
. first programmable game cartridges (27),
. '8 colors' (in 102x58 out of 128x64 px),
. hold button menu, joystick/paddle controllers.

Today's young home players cannot understand this.


2018
0424
dpla.fr/fonts/channel-f-ves

Fairchild Channel F
Video Entertainment System (VES - original name)
https://en.wikipedia.org/wiki/Fairchild_Channel_F

Collection of text characters, 1976-1981 Fairchild
5x5 / 4x5 / 3x5 US-ASCII valid fonts, 2018-04 dpla
Fairchild derived from the old 7-segment numerics.

Breakthroughs of this 2nd-gen video game console:
. first artificial intelligence (AI) in game,
. first programmable game cartridges (27),
. '8 colors' (in 102x58 out of 128x64 px),
. hold button menu, joystick/paddle controllers.

Today's young home players cannot understand this.


2018
0424
dpla.fr/fonts/channel-f-ves

My attempt at a font which uses only one grid square per glyph. I guess this is the Fontstruct equivalent of pixel art...?

As an extra challenge I decided to use no curved bricks. (This rule was since broken to add © and ®).

Even better letterforms could be created by compositing the entire thing. However, the goal here was to do what I could with the existing bricks. As such, only #?![]{}¹²³ make use of composites.

The 4x4 pixel font from the Virtua Gremlin. This one is stylized, and was used for scoreboards and the like.

A 3x3 microfont from the Virtual Gremlin, an old game of mine. This is designed to look tiny and indistinct. Useful when writing jargon, placeholder text, or technobabble (the kind of meaningless information you'd write when drawing a newspaper or computer terminal).

VERSION HISTORY:

08 Feb 2018 - v1.0 declared finished.

Made after my signature
[on FontStruct in 2013]

Not related to my duplicate-free 2x3
{unreleased and incomplete US-ASCII}

Does not look as nice as it would if it was only 4x4, but it was a nice challenge for me.

it's small don't squish it

Based on Damien G's "Other English Micros" blog:

https://damieng.com/blog/2014/07/20/typography-in-bits-other-english-micros