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Fontstructions tagged with “Tibetan”

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Taxu 

by Enzo Bicudo Pepi (MetrikEnzyme)
0.00 Click on the stars to rate this FontStruction.
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00370 Published: 16th January, 2021
Last edited: 16th January, 2021
Created: 16th January, 2021

This is for my conlang, Taxu.

And for all of you who complemented it, thanks!

  • Monospaced
      • Conlang (261)
      • Conscript (172)
      • Tibetan (7)
      Open Font License

      Futura Now®

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      'Phags-pa Tibetan 

      by Arakun
      8.65 Click on the stars to rate this FontStruction.
      Balanced Rating: 8.65
      Average Rating: 9.10
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       10 votes
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      82147115 Published: 15th July, 2016
      Last edited: 8th July, 2016
      Created: 28th June, 2016

      My take on the Mongolian 'Phags-pa script designed by the Tibetan monk Phagspa in 1269, based on the Tibetan script, to write Mongolian, Tibetan, Sanskrit and Chinese. This font is based on the Tibetan style which consists almost entirely of straight lines and right angles. It seemed like a prime candidate for a FontStruct treatment. I've added rounded corners and serifs to make it more visually interesting.

      The script is written in vertical columns top-to-bottom and left-to-right and thus needs to be rotated 90° clockwise and the columns then reversed.

      'Phags-pa was added to the Unicode standard in version 5.0 in 2006. This font however uses an ad-hoc mapping to Ascii characters which admittedly doesn't always make sense. I kind of gave up in the end and started assigning a bunch of letters to digits. Letters are connected into syllable block by a thin line (mapped to '-'), usually on the right-hand side. A straight line clashed wth the serifs so I made it into a small arch.

      The script is an abugida: the vowel ‹a› is inherent in each syllable and thus not written.

      • Non-Latin
          • Phagspa (2)
          • Mongolian (4)
          • Tibetan (7)
          • non-latin (49)
          Creative Commons

          Zanabazar Horizontal Square 

          by Arakun
          8.37 Click on the stars to rate this FontStruction.
          Balanced Rating: 8.37
          Average Rating: 10.00
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          451751 Published: 13th July, 2016
          Last edited: 3rd July, 2016
          Created: 23rd June, 2016

          My take on the Mongolian Horizontal Square script designed by Mongolian spiritual leader Zanabazar to write Mongolian, Tibetan and Sanskrit. It's based on the Tibetan script. The script consists mostly of straight lines and right angles and seemed like a prime candidate for a FontStruct treatment. I've added rounded corners and serifs to make it more visually interesting.

          The script has been accepted by the Unicode Technical Committee for inclusion in a future version of the Unicode standard*. This font uses an ad-hoc mapping to Ascii characters: upper case for aspirated plosives, 'f' and 'q' for retroflex plosives and a lot of mappings that make even less sense as I started to run out of Latin letters. The mapping is based on Sanskrit and Tibetan; Mongolian uses some characters differently. However, the font does not do stacked consonants required by the two former.

          The script is an abugida: the letter ‹a› is inherent in each consonant letter and the vowel is then modified using diacritics. Initial vowels are written with a special letter, mapped to 'A', that's wider than the rest and has its own set of diacritics, mapped to digits 0–9.

          * http://www.unicode.org/L2/L2014/14024-zanabazar-square.pdf

          • Non-Latin
              • Zanabazar Square (1)
              • Mongolian (4)
              • Tibetan (7)
              • non-latin (49)
              Creative Commons

              Iltantu-Tiveta 

              by Scawty
              8.03 Click on the stars to rate this FontStruction.
              Balanced Rating: 8.03
              Average Rating: 8.29
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               7 votes
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              3419214 Published: 14th October, 2012
              Last edited: 18th July, 2014
              Created: 25th September, 2012
              This Script is influenced by the art-style of Tibetan. Although as soon as i formed a few basic shapes and themes for a few characters, it quickly took on a shape for itself. This is still a Syllabary used to write my Conlang, Iltantu. It works exactly the same as my more recognizable Latinesque Syllabary "Iltantu-Romu". The characters are mapped in the same exact spots, and one script can be substituted for the next. It's merely a stylistic difference (as Times New Roman is to Blackletter, for instance)
              This is a clone of Iltantu-Romu
                    • Iltantu (3)
                    • Tibetan (7)
                    • Calligraphy (114)
                    • Conlang (261)
                    • Constructed (57)
                    • Language (100)
                    • Syllabary (11)
                    Creative Commons

                    dalai 

                    by amelia
                    8.35 Click on the stars to rate this FontStruction.
                    Balanced Rating: 8.35
                    Average Rating: 9.00
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                     5 votes
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                    140672 Published: 17th November, 2009
                    Last edited: 26th November, 2009
                    Created: 5th November, 2009
                    Originally inspired by sacred tibetan writing. It was much harder to achieve the look than first anticipated. Tried to work each letter around a singular central curve and included features i noticed in tibetan writing.
                          • Uwe (837)
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                          • Tibetan (7)
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