WiP/ kerning in progress
Spiky shapes and sticks that point in all directions: just take a twilight walk trough a forest in the fog.
WIP............... still ....................
The name is Hungarian as we have Hungarian connection in the family and among friends. It means my forest spirit.
https://www.fontstruct.com/fontstructions/show/1424431/superblakkThis is a clone of Graphene Black
I really liked my last slab serif font, and so I decided to make another one. This time, we've put the file on it and rounded the corners.
Custom bold, beveled and fixed width font for the homemade handheld console MAD×DOG by INSANUS
An alternate slightly taller "a" is on the "µ" and another "x" on the "\". Kerning of really obvious pairs will be done. I'm showing this only because it's a clone that automatically replaced the compos, stacks and standard bricks with the square brick.
A while ago I mentioned encountering the swapped bricks and weird (=51) brick quantity in another cloned version of this design. At first I felt frustrated but then I thought it might work out as a useable font. Without the surprising swap there'd be no Romaeo as a pixel design!! Now I think the glyph shapes look really good with pixellated edges, I'd not have worked a chunky Romaeo into a pixellated chunky Romaeo. Proof that there might be unexplained and unwanted brick problems which don't deserve to be forgotten or deleted as the design can be used to develop a quite acceptable font.This is a clone
Heavy font for heavy work.
Made for Obscure Process, a zine about weird digital art techniques.
I just felt like I needed to complete this to get it out of the way. The original design was very different than this.
Inspired by a logo I designed for a friend of mine a couple months back!
Alternative versions are coming soon, so hold on tight. ;)This is a clone
At the end of October I decided to dive into the new Bricks 'Connect'. I started with the lowercase 's' & 'a'. Working out what the minimal size I could fontstruct it in, then expanded and condensed it from there to accomadate the rest of the glyths. You can still see these in the font above (Just before the Latin charachters. As I progressed I came to love the thin white gaps, and then tried to have every glyth with some element of the curved white gap in it. Some were more successful than others. As you can see, I have included the less preferred options at the end. I've also designed some of the final glyphs in illustrator, as it was impossible to have all of them with one white line, without help from an external app.
The most difficult glyphs to create and ultimately the most satisfying once completed were the 'V' and '~'.
I liked the look of final font so much, that I decided to create a whole family. Cableguynium 0 (which has Zero cables), CableGuynium 2 (which has 1-2 cables per glyth), and CableGuynium 3 (Which has 3-4 cables).
Unusually I struggled naming this font, I have early versions saved called Flowonica, Rubber Tyre, Ice Skater and Fibropticon, ..... eventually settling on CableGuynium as it was the most memorable.
ANY CRITICISM, GOOD OR BAD IS WELCOMED.
Binary ASCII font, based on computer QWERTY keyboard key frequency. Enjoy! :D
is the entire character list in their frequency. Left for being the most frequently used, and to the right; less frequently used.
If you were to paste the above string of characters into the User Input, you'd get a familiar binary pattern.
Cloned from Vertalics originally, but not one single block remains.
This is a free font version from my commercial font family, Lephnia, which includes Lephnia Drop Caps.
Outlined novelty sans font in a black weight with a repeating pattern, or texture, which is a mesh grid. This font demands to be seen in large (poster/billboard/titling/header/headline) sizes.
This font is Copyright 2018 & 2019 Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as demo freeware under the SIL Open Font License. You are entitled to use this font however you want. Credit for my original work IS greatly appreciated. There is a version with lowercase and more glyphs I'll offer to donators.
Black, All Caps, Textured, Patterned, Novelty, Poster, Titling, Header, Headline
Type: Sans Serif
Web font: Yes
Commercial use: Any use, yes!
Derivatives: OK (please use a different reserved font family name).
Redistribution: Encouraged (this demo font, only).
My best web hosting solution:
PayPal donations (to encourage my continued freeware font design efforts):
Clone of Stark by riccard0. riccard0 was inspired to do this font by the Iron Man logo. It's so good I had to grab it and played with it a little (added drop caps and some punctuation, still a work in progress).
This font is Copyright Riccardo Sartori ( Fonstruct username riccard0 - homepage http://www.mompracem.net/ ) & Doug Peters ( https://www.Doug-Peters.com/ or https://Dougs.Work/ ) and released as freeware under the Creative Commons Attribution Share-Alike License. You are entitled to use this font however you want, but please credit us for our work somewhere (website, blog or social media, preferably with a link back to our portfolio or web site). Credit attribution IS greatly appreciated.
Categories: Logo Inspired, Techno, Collegiate & Sports (Jersey Lettering)
Type: Sans (sans serif)
Weight: Black (or at least Super Heavy)
Web font: Yes, sure.
Commercial use: Any use, yes, please credit us somewhere? Thanks!
Derivatives: OK (please use a different reserved font name & update docs).
Fontstruct Profile Links...
SymbioticDesign (me): https://fontstructors/595075/symbioticdesign
My best web hosting solution:
PayPal donations to Doug (to encourage continued freeware font design efforts):
Each letter has a width inverse to its frequency in English.
Revamped version / spiritual successor of Penumbra. Regular, semibold, bold, small caps, and monospace variants currently available. Questionably complete, I guess?This is a clone of Tenebrose
Bancroft, from GEOS Font Pack PLUS by Berkeley Softworks, for the Commodore 64. Only the original's character set, which is missing a LOT. Arial Black could learn a lot from this one, lol.
A big hulking Brutalist design.
Original size: 19pt
See also: Solidity
"Mythical Bursts" is an anagram of "Bismuth Crystal". The design is inspired by said crystals as well as Mayan/Aztec carvings (or at least, the comparatively simple forms they have in popular media) and sgraffito art in which a surface is scratched off to reveal a contrasting material underneath.
12SEP2018: I've edited every glyph in order to disconnect the letterforms from their enclosing shapes. This makes the font much more readable and consistent.
Original size: 42pt (use multiples of this value for pixel perfection)