This is SquaredEyes57. A pixel-art font I made to use in the games I make. Every Character is within the bounds of 5x7 pixels. This is the second iteration of SquareEyes35, which was only 3x5 pixels and turned out to be way too hard to read for longer texts. I hope it can be useful for whatever you need. 

This is SquaredEyes35. A pixel-art font I made to use in the games I make. Every Character is within the bounds of 3x5 pixels. I intended to only use uppercase, which is why lowercase is a bit low-effort. I hope it can be useful for whatever you need. 

Trying to achieve maximum readability and symbol differentiation within a reasonable size.

A modern minimalist font.

A minimalist fraktur, broken down to the bare minimum of penstrokes. Based on the later more rounded typefaces with fewer distinct pen movements. Made for practicing calligraphy rather than æsthetics, especially w.r.t. lowercase letters. This schematic breakdown makes for easier learning of stroke-order and movements.

100% free

Just Some Number Designs.

Done by making block height and width 2 in the filter settings.

A simplistic yet edgy font perfect for minimalistic designs.

Apical is a minimalistic display typeface that empahsises points and angles. 

A more minimal and cursive-like Hyperbole. Named after a certain Led Zepplin meme. :D

This was a simple idea started from S and T. Most of the glyphs have two verticle strokes that are 4-bricke-wide and a 1-brick-wide area in the middle of the character. except I, L, S and T (actually a lot more). They are a bit different. Especially S, T and L. The whole characters are only 8 bricks wide. As I mentioned above, It's because the whole font started from these characters.

Straka the name came from last name of a person. The S and T reminds me of this person's last name. I like this last name although I don't even know him.

About the Latin extension, I have made only the glyphs that require no new design, just diacritics and already made letters. So I can pretend like hard-working on fonts but copy paste in reality. :P

Also, I made Arabic glyphs. Only isolated forms. Which I suppose won't be a comfortable experience to Arabic users. It's like every letter has crazy swashes but every letters are lightyears away from each other.(or is it?)

Credit me bcuz it took days and I gave it all to you for free. Unthankful hairless ape. :p

has it gone 2 far? hope it didn't hurt you.

Another 2x2 doodle. :^)

Version 1.2

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A slightly futuristic and stencilesque design using halfwidth bricks.

The idea here was to make every glyph simple and minimal, not only in terms of overall geometry but individual line connections as well. Some glyphs are still more complex/less minimal than others, but I think it's a good amount of variety.

Is it Ironic that I spent a lot of time making a minimalistic font? Maybe not...

In any case, this is a font I made with a challenge of keeping every character within a 5x5 block size (4x4 blocks for the lowercase letters)

The only character NOT within a 5x5 square is the @ character. It somehow ended up a little wide.

Stemless superminimal 2x2. It's small yet bold, much like Napoleon!

Experimental multiline design.

3*3 font for micro displays. 900 bits. Any usage.

MOS 2018

MOS 2018 /moʊz twɛntɪ eɪtin/ is a minimalistic, designy font aiming to simplify English lowercase letterforms as much as possible while keeping them recognizable to some degree, using a 3x3 grid.

3x3 cipher, based on version 0.3 of "Micromaze". It uses its own form of binary notation for the numerals, wherein the upper-right 4 pixels play the role of the 1, 2, 4, and 8.

This is the smallest font in which I was able to give a unique symbol to every glyph (excluding the lower/upper case, which look the same). It reads sort of like Pigpen Cipher, but is more densely written.

Since MMC is obscure and of constant width/height, it serves many "gibberish" and "placeholder text" purposes in addition to being a modestly strong cipher.

Original size: 2pt (use multiples of this value for pixel perfection)

Experimental 2x4 font. Not the most legible, but maybe useful as a cipher. It requires some contextual knowledge of what you are reading for the best result.

Original size: 6pt (use multiples of this value for pixel perfection)

my first try for making a compressed pixel font. any comment will be usefull to improve it.

My attempt at a font which uses only one grid square per glyph. I guess this is the Fontstruct equivalent of pixel art...?

As an extra challenge I decided to use no curved bricks. (This rule was since broken to add © and ®).

Even better letterforms could be created by compositing the entire thing. However, the goal here was to do what I could with the existing bricks. As such, only #?![]{}¹²³ make use of composites.