1:ay 2:uy 3:zh 4:ee 5:th 6:ch 7:oy 8:ooe 9:oo -:- ^:ah

q:ng w:w e:e r:r t:t y:y u:u i:i o:o p:p @:oh [:ew

a:a s:s d:d f:f g:g h:h j:j k:k l:l ;:ow ::: ]:aw

z:z x:dh c:sh v:v b:b n:n m:m ,:, .:. /:?

!:AY ":UY #:ZH $: EE %:TH &:CH ':OY (:OOE ):OO ~:AH

Q:NG W:W E:E R:R T:T Y:Y U:U I:I O:O P:P `:OH {:EW

A:A S:S D:D F:F G:G H:H J:J K:K L:L +:OW *:; }:AW

Z:Z X:DH C:SH V:V B:B N:N M:M <:' >:" ?:!

This font is a Serif font. It means that there a little hooks on the end of most characters, similar to the Times New Roman font. For more information, visit this Wikipedia article on the difference between Serif and Sans-Serif fonts.
 

Font specifications: Average character size: 8x5, largest character size: 11x5; 7x7, smallest character size: 1x1. Avaliable versions: Regular, Not avaliable (yet) versions: Bold, Italic, Italicised bold

Enjoy!

Pixel version of "Microsoft Uighur".

@LILProductions ok, fixed it buddy :)

@swash.buckler Thanks. 

A Unicode version of "7:12 Serif". I am going to finish the font as soon as possible.

Based on the theme of rebirth, ‘Fill in the blanks’ draws inspiration from the Renaissance era. Looking at the original printing press, traditional blackletter and Renaissance calligraphy, ‘Fill in the blanks’ offers a modern twist on some of the oldest typefaces to date. By looking at the brush strokes of blackletter and the serifs used in the printing press typefaces, this font is a combination of these characteristics. By using just these features the human eye can still recognise the letter form, essentially allowing your mind to ‘Fill in the blanks.’

This typeface was designed as a response to the shift towards Online and Digital Communications that communities practice in modern society. Since the emergence Internet, people has more frequently resulted to email, messaging and other online connections as a means of communicating with each other as supposed to speaking directly in person.

This has limited the power of communication and removed many organic aspects of conversation. I feel this is particularly prevalent today as a result of the Covid pandemic and as people continue to feel more isolated, we loose the important subtleties in the way we discuss and exchange.

The character’s design was based off fonts like CMC7, MICR E13-B, CRT Screen Typography, the works of Gerard Unger, Wim Crouwel and other pieces of design created for the exchange of digital information between machines.

Theo D'Cruz 2020

This is my first typeface as a first-year graphic design student at UWE. It has been created based on the theme ''Rebirth''. Inspired by the Renaissance which means ''rebirth'' in French the typeface is a transition from the old to the new. It is also connected to moon phases as a symbol of rebirth and change. The typeface is a combination of sharp elements and smooth shapes, has some futuristic and traditional motifs. Each letter is unique and can be used by itself or in a text with the others. Any comments are welcomed.

Emil has a sympatic character, even if he has his little edges and corners. Nevertheless, Emil is not too eccentric.  It' s possible to work with him and maybe Emil will go one step further towards italics...?

Recreation of the one-size Abyssal font from Hypnospace Outlaw expanded with a few additional characters made by me.

THIS FONT IS A COPY OF "FORMAL ROMAN"

I want to try to expand this font so it can have more characters and supports more varieties of languages

Expansions :
- Latin Extended-A
- Cyrillic
- Greek
- Added more letters and symbols in More Latin

If there are any mistakes, please inform me, and I will fix it asap

THIS FONT IS A COPY OF "FORMAL ROMAN"

I want to try to expand this font so it can have more characters and supports more varieties of languages

Update: The "bug" is fixed, turns out I accidentally activated the "Lock Guides" without me knowing that that is a thing (I'm new to Fontstruct), I was so confused at that moment, thank you @user-juli for pointing out! but, I'm still going to continue expanding this font in the "Formal Roman (Extended)" because I've made many many expansions, fixes, and detail improvements that cost hours, so I have decided to disband this and I will still continue adding more features in the other project

[Formal Roman (Extended): https://fontstruct.com/fontstructions/show/1819229/formal-roman-extended-3-3]

Tall with ball terminals. More glyphs in process.

A pixel serif font I made. WIP.

x-height: 2⅜ brick, some alternates in lower case

Font for writing Kortch Alphabet by latin or cyrilic

2 years and 65 fonts from last top pick.

See more:

https://www.fontstruct.com/fontstructions/show/18794/new_haven

https://www.fontstruct.com/fontstructions/show/1620939/stf-square-grylls

https://www.fontstruct.com/fontstructions/show/586928/fs_bank_1

https://www.fontstruct.com/fontstructions/show/1602698/dx-legimono-x

An art deco-esque font inspired by the blackboard bold or double struck typefaces often used to represent sets of numbers, such as ℤ for the integers.

Tried coming up for one of a few default fonts for a fictional computer operating system I came up with called COMIX_NT. I based it a bit off of Computerfont (a personal favorite of mine) and gave it serifs - overall, a janky, yet (hopefully) charming typeface.

no space

This is a military-style stencil font inspired by the original Stencil-Gothic face (by John West c. 1885), Ironmonger (by John Downer, 1991-93), and Pediker (by Kazimir Samoscanec, 2013). The latter one is a revival of a stencil face of unknown origin. Sorry for the dystopian future. I hope it will never happen.

THIS IS MY THIRD AND FINAL ENTRY TO THE COMPETITION. MY LAST ENTRY WAS GOING TO BE SOMETHING ELSE, BUT THAT GOT TAKEN DOWN FOR RICKROLL-RELATED REASONS.

Easier to read and use than the origional