[Version 2.1]: Added "More Latin" Character Set.

[Version 2]: Fixed differences between the real font (from the NES or arcades) and the original (by me).

NES/Arcade Font.

By request, "a font that looks like a hybrid of Greek and Latin".

This is designed to be modular. UPPER CASE contains the standard glyphs. Alternates are on the lowercase as well as the More Latin band.

"Novus Graecorum" means "The New Greek".

Supports Dutch, English, and Greek!

An experiment which attempts to harmonize soft curves and straight lines while eschewing angles. The result is this "inkflow" design. What is the opposite of an inktrap? I don't know, so I'm calling it inkflow.

This could also be viewed as a hybridization of neon-style lettering and normal sans serif... it is not quite made to be either one, but could act as a decent companion font to them. Most neon fonts need a larger size and are thus more suited to headers, while this design is well suited to body text.

This could also ALSO be considered a Hybrid because it works as both a pixel font and a high-res one.

A doodle made with Brick Basket.

These glyphs are made to look like trellises, wall screens or stained glass windows. But I think they can pull off many other looks as well.

Looks best at massive sizes! Good for logos, title cards, etc.

A font which looks like sunbursts, fires, explosions, and more depending on its presentation. Seems like a design that would be used when its ability to get noticed is more important than its legibility...

Experimental 37-segment display. Space pirates met crystalline aliens, their children made a segmented display, and this is it.

Now with lowercase!

See also: Apoplexy, Calculatrix.

My 200th Fontstruction! :^)

This font, especially the "M", has been kicking around in my mind for years. I wanted a design that looked "kinda like a Metroid". Then, I tried to Fontstruct it. That brings us to the present.

(This font has nothing to do with the "Gods Will Be Watching" video game. I just think the name Xenolifer has the right ring to it.)

See also: Xenolifer Pixel

A design inspired by mineshafts and the wood scaffolds which are built to shore up tunnels in order to prevent them from collapsing.

Original size: 5.25pt (use multiples of this value for pixel perfection)

Feeling dazzled?

The original logotype font used for Endless Sea of Stars/ESOS, a massive simulation. Designed by me circa 2010.

Since this uses only right angles and has no lone pixels except those in negative space, it's pixel perfect at any size. That's why it's in two collections.

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Original size: 5.25pt (use multiples of this value for pixel perfection)

Designed by request.

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13SEP2018: I have given this font a much-needed upgrade. Try viewing it at 2x Pixel size!

16SEP2018: Even more upgrades!

From my game Trap Farmer Brer Brah.

The 21 symbols of the written language used by "Eshira" - terrestrial zooid colonies amalgamated from bacterial, viral, fungal, plant, and animal components. Eshira use this language by secreting an enzyme at the top of their rocky, stromatolite-like structures, dissolving the material to reveal white glyphs. These glyphs are extremely shallow engravings, and material is removed much slower than it is added through metabolism. They are formed so that wind, rain, UV exposure, and/or wave action naturally weather them off in a day's time.

Each glyph represents an entire concept, question, plea, or rebuke. The glyph that appears depends on the eshira's environmental conditions and treatment. Intelligent creatures on Planet Fyromr read these glyphs to determine whether the fishing is good, what the weather will be like, whether their aquacultures and aquatic farms are healthy, and so on.

An eshira only etches one glyph at a time, so these symbols are only ever meant to appear one at a time. All the eshira in a particular place tend to produce the same glyph at low tide.

An experimental design inspired by megalithic structures, especially Inca stonemasonry. I wanted to create letterforms that looked like worked stone (with minimal gouges or openings into the stone) and that looked like they could actually stand up on their own as stone structures. The asterisk, quotation marks, etc. are obvious exceptions, since they need to be free-floating (although I did modify their spacing to make them appear to "rest" on the surrounding letters.)

The slants applied to the "stones" are just for style. :^)