ELEVATED - A large 3D outline shadow display typeface.
It's inspired by the lettering from a sketch of great Dutch graphical designer "Jurriaan Schrofer".
Futuristic maze like logotype.
It was designed as part of the renewed visual identity for one of my music labels.This is a clone
Numerous single brick pattern fillers and connectors, ready for you to use/clone/copy/change and put into your own designs or whatever.
All patterns are designed to work as a selection fill. So in other words: the patterns will always look the same regardless of the dimensions of your selected area!
They come in a wide range of styles such as: Retro, Tile, Seemless, Textile, Composite, Glitch, Minimalism
All bricks are stored and saved in the custom brick pallet.
Sort of a semi recap of the lettering found on the second issue of Polish avant garde architectural magazine called "PRAESENS".
It got published throughout the first part of the previous century and was similar to other magz from that era such as: DeStijl, Wendingen & Het Overzicht.
It's not super accurate but still a fairly recognizable and cool looking type. I already made a pro version of this lettering in the past with FontLab Studio, which closely capturing the exact original design.This is a clone
A piece of constructivism inspired by Dutch artistic movement "De Stijl".This is a clone of STF_FABRICON_(OUTLINE)
SUTORAIPU ORIGAMI - A display typeface that was inspired by origami.
Enjoy!This is a clone of STF_SUTORAIPU ORIGAMI (MULTILINE)
A tribute to Belgian modernist artist "Jozef Peeters" (Antwerp, 1895 - 1960).
He is probably best known for contributions to legendary Belgian avant garde magazines "Het Overzicht" and "DeDriekhoek".
The alphabet I made is based on the letters seen on the folder art for his 1921 linocut portofolio.
(I made use of a couple of lower case letters to make slight variations similar as seen on the original artwork but most lower case are simply copied from the upper case letters.)
"Big Friendly Giant"
Another recap from one of the works by great Dutch graphical designer "Jurriaan Schrofer".
This time I revisited a design that originally was made back in 1975 for the Dutch Post Office (PTT) office build floor plans.
This version features both upper and lowercase characters plus some minor changes to it's appearance!This is a clone of STF_ORIGAMISH v1
LENA - A classic looking elegant typeface family that comes in 3 different style varriations (solid sans serif, solid serif and inline).
It's a combined effort designed by: Sed4tives & JingYo.
Click the "STF_JingYo-LENA Family" tag bellow to list the complete family.
Impossible geometric letters, inspired by who other than M.C. Escher.
Uppercase letters and partial punctuations only.
Enjoy!This is a clone
Fleurella is simple modern yet elegant sans-serif typeface design.
The asymmetrical roundings on the stems and terminals pop out that friendly appearance and slightly giving it a caligraphic human touch.
It's a lowercase design only, but it does feature some slight variations between upper and lowercase for some of the glyphs.This is a clone
Inspired by the many different avant garde modernist expressionism movements of early nineteenth century Europe. Amsterdam-School in particular.This is a clone
MY "COUNTER" COMPETITION ENTRY.
The idea was to make a minimalism type without any counters at all, hence the name: "DON'T COUNT ON ME".
It's size is tiny (only 2x4 units) but that didn't cut the fun!
Fourth recap in a series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer". I hope you like it.This is a clone
-- UPDATED --
My second recap of a alphabet by the late great dutch graphic designer "Jurriaan Schrofer".
In addition I added upper case and numerous punctuations.
I hope you like it.This is a clone
Recap of the lettering from Dutch hardware store-chain "GAMMA".
I have absolutely zero clue on who originally designed it.
(If someone here knows more about the origins please let me know, thanks)
Nonetheless it's a pretty cool futuristic looking design as well as a tribute to its predecessors that set the tone for the genre at the start of the last century.
As usual the alphabet is completed and some punctuations is added.
Another recap in a series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer" (15 april 1926 – 1 juli 1990).
This time I revisited the lettering for "A.S.C. COMMUNICATIONS" and completed the alphabet and some additional punctuations.
I hope you like it.
SUPER MA(RE-)O BROS.
A bitmap typeface family that recaps the classic fonts that were used for 1985 Nintendo Entertainment System game "Super Mario Bros."
-- It's a large piece that covers a bit of everything. And two seporate typefaces will be published the following days to accompany this one seemlessly.
both more less finished as well, but changes were made in this one that requires the other two to be fixed again in order to seemlessly work together before getting published, So stay tuned!
About this fist part:
It combines not just the two (title screen and ingame regular text)fonts used for this game, but also includes dingbats related to the game, and combines it all into one single typeface!
The sample will only display correctly at exact pixel size or double the value of this due to dither gradients that otherwise not show as a solid surfaces.
Basic and Extended Latin - letters seen at title screen
Superscripts and Subscripts - regular text font (only partial alphabet, as according to the unicode standard for this block)
Miscellaneous Symbols - miscellaneous dingbats related to the game such as emoji's and blocks to make seemless ornamental features like seen ingame
Halfwidth and Fullwidth Forms - regular text font but with full suport for both uppercase & lowercase, as well as numerals and basic punctuation.
MARTIAN AMBASSADOR - a quirky alien looking typeface.
What first started as a tryout to make entire glyphs within a single composite brick quickly got out of hand. lol
Each glyph was designed on a 2x2 grid by way of composite stacking. Lowercase and superscript characters are single brick composites.
Viewed in the fontstruct preview many glyphs do not show clean edges because I heavily made use of composite bricks and stacks on a small grid. However, these irregularities are not really present in the actual TrueType Font.
DISTANT SHORE is a decorated bold geometric display typeface.
The lettershapes have that typical modern and digital style. Whereas the stripes in the bottom give it that 80's/90's retro feeling!