The year is 2020. Oni is still making futuristic-y fonts. I was told there'd be flying cars. The future lied to me.

Contains support for:

All modern European Latin langauges (Full Latin-A character set), Cyrillic languages (Russian/Serbo-Croat/Bulgarian/Macedoian/Ukranian/Belarussian), Greek

All cap bold serif

kerned : Russian, Latin Basic, More Latin

I can't even type cyrillic extended, there are too many letters in latin extended, I don't have greek keyboard either

I wish I could make everything, but I'm a human after all (or am I?), I decided that this is good enough

This font was request by the (by now dead) youtuber I_am_a_Duckhead. Have fun!

Contains:
Basic Latin
Latin Supplement
Latin Extended A
Basic Russian Cyrillic
and some L. E. B, Punctuation marks, + a big ß.
If you need any character set, tell me and I'll add it.
(version 1.0.1)

MY MOST LEGIBLE FONT YET: E.

MY GOAL FOR THIS WAS TO MAKE A COMPLETE GROTESQUE FONT IN ONE DAY, AND I THINK THAT I ACCOMPLISHED THAT. WHEN IN DOUBT: PIXEL FONT!

Ko tenei momotuhi i mahia mō Te Reo.

Feel free to clone it and add letters for other languages. Even an upper case.

Super4 - basic and more latin, including kerning after the "f" and before the "j".

I set out to create a regular pixel-based, square font. The unifying theme is the thicker vertical portion on most letters, most noticeable in the capitals, which are 4 pixels wide - hence the name Super4. It's my first font and I quite enjoyed working on it.

ALTERNATIVES CAN BE FOUND IN THE LOWER CASE TO CHANGE THE NOISE DISTRIBUTION.

I WASN’T REALLY THINKING ABOUT THE CYRILLIC ALPHABET WHEN I DESIGNED IT, SO THE LETTERS: “А” AND “Л” AND “Н” AND “П” ARE THE SAME.

A narrow font combining (neo-)gothic inspirations with angular and simplistic influences. It features Latin and Cyrillic characters.

This was featured inside my font: Pelagic Octopus.

Some alternative (less intrusive) forms are found in the capital section.

Use a size of thirteen point in order for the pixels to match up.

A blocky, somewhat futuristic, mostly sans-serif font. All latin characters are in square dimensions. Lower case letters are a third of the size of upper case letters. It was developed with my 2019 spelling reform proposal for European languages in mind, and therefore may posess and/or lack some features unexpectedly.

AFTER I MADE PELAGIC OCTOPUS, I THOUGHT THAT I’D HAD ENOUGH OF KERNING AND I’D NEVER DO IT AGAIN. WELL,…

THIS IS BASED ON MY HANDWRITING. NOT MY REGULAR HANDWRITING — THAT DOESN’T ALLOW FOR LOWER-CASE LETTERS; SO WHENEVER I NEED TO WRITE SOMETHING WITH LOWER-CASE LETTERS (SUCH AS IN EXAMS.), I USE THIS STYLE.

I KNOW THAT IN PLACES IT LOOKS A BIT BROKEN. BUT AT THE SMALL SIZES OF BULK TEXT, IT SHOULDN’T BE TOO NOTICEABLE; IT’S NOT REALLY DESIGNED AS A DISPLAY FONT.

AND I ALSO KNOW THAT SOME SERIFS AND STROKES AREN’T EXACTLY COMMONPLACE (SEE THE UPPER SERIFS ON THE LETTER: “u”). IT’S JUST HOW MY HANDWRITING TURNED OUT.

INTENDED LANGAUGE SUPPORT

• ENGLISH

• RUSSIAN

• TE REO MĀORI

“WHAKAITI” IS A MĀORI WORD MEANING “TO MAKE SMALL”. IT’S ROUGHLY PRONOUNCED: “ɸɑkɑiti”.

Wip

USE THE FULL-STOP FOR THE TERMINAL UNDERLINE.

“MOTU” IS A MĀORI WORD MEANING “ISLAND” OR “SEPERATE”.

THIS WAS MADE WITH FONTSTRUXIUS.

Another attempt to make a readable font narrower than Arial Narrow. I am basing the letters on ovals now, to try to make them easier for my eyes to deal with at small sizes.

CLICK ON THE “PIXEL” BUTTON TO MAKE IT LOOK, LIKE, A BAJILLION TIMES BETTER.

INTENDED LANGUAGE SUPPORT

• ENGLISH

• MĀORI

• SLOVENIAN

• RUSSIAN

THINGS THAT FONTSTRUCT NEEDS

• A DITHERING TOOL

• AN ELLIPSE TOOL

• RECTANGULAR-  AND ELLIPTICAL-OUTLINE TOOLS.

• A BUCKET FILL TOOL

• RULERS

• A SKEWABLE GRID

• A MASS KERNING FEATURE (OR EVEN AUTOMATIC KERNING, THAT’D BE NICE)

• SUPPORT FOR MULTIPLE FAMILIES WITHIN ONE FILE

• A TERMINAL FOR PROGRAMMING ALGORITHMS TO AUTOMATE REPETITIVE, PREDICTABLE ASPECTS, AND A WAY TO REFERENCE THE GRID SQUARES AS AN ARRAY OF SOME KIND

DON’T THINK THAT I’M SHOUTING ABOUT THIS. I JUST DON’T LIKE LOWER-CASE LETTERS!

A modern minimalist font.

THIS FONT WAS IN A STYLE THAT I ACTUALLY FOUND PRETTY HARD TO ACCOMPLISH. BUT AS SOON AS I DIDN’T CARE ABOUT ADHERING TO MY STRICT CONSISTENCY, I GOT IT DONE QUICK AS.

8×9

WELL THAT WAS A BIT OF A WASTE OF TIME.

See more:

https://www.fontstruct.com/fontstructions/show/1675680/gyroscope-1-1

https://www.fontstruct.com/fontstructions/show/431934/trec_funch

https://www.fontstruct.com/fontstructions/show/743755/kiova_captura

https://www.fontstruct.com/fontstructions/show/823024/fs_remix01

Inspired by commodore64 and others.

Part of a project.

Here is an extended version of my Atemayar Rigid Script. This script has taken me years to get to the point where it is. I do plan to complete it however I figured I would release it with the current list of characters that I have created. While I plan to complete it, it will be some time before this is achieved so please bear with me as life tends to get in the way sometimes.

I began this font August 31, 2017, and I'm releasing it 30 days short of its 2 year anniversary.

Based off the original alphabet of Atemayar Qelisayér featured on Omniglot created by Simon Halfdan Hvilshøj Andersen. Credit for all the original characters of this alphabet goes to him, as well as credit for inspiration. Some characters in this alphabet are wholly original to this font (most are not however), these are inspired wholly by the original Atemayar alphabet in one way or another.

I truly and sincerely hope you enjoy, this font is made for all to enjoy and to spread such a beautiful alphabet to be used for all languages and all writing systems. I love Atemayar more than any existing writing system, I take all my notes in it, and I yearn for Simon Halfdan Hvilshøj Andersen's alphabet to be spread around the world and used by many.

The alphabets can be categorized into groups based on the following criteria:
- Pseudo-Atemayar: shares no letters with Atemayar, but appears similar
- Semi-Pseudo-Atemayar: shares a few characters with Atemayar, but overall still looks like its base alphabet and can't be read by Atemayar users
- Modified Atemayar: Follows all/most of the same letters as Atemayar, however has added or modified letters as well
- Classic Atemayar: Original Atemayar alphabet without change

The alphabets' classifications are as follows:

Basic Latin: Classic (except X, which is a ligature of K and S)
Punctuation (all except . , : ; ? ! ... " '): Modified
More Latin: Modified
Extended Latin B: Modified
Extended Latin A: Modified
Greek & Coptic: Modified
Cyrillic: Modified
Arabic: Modified (reversed letters)
Devanagari: Modified (line above letters)
Georgian: Semi-Pseudo
Armenian: Semi-Pseudo
Katakana: Modified
Hebrew: Modified (reversed letters)
Hangul: Pseudo
Bopomofo: Modified (dots above letters, ligatures)

100% free

Just a typeface I work on from time to time. Progress is somewhat slow but irregular.

Currently more than 2900 characters.

Comments are appreciated.

Update 1-Nov: Added Supplemental Arrows-B, Unified Canadian Aboriginal Syllabics Extended, Variation Selectors

Name is a pun and a work-in-progress.

This is my first try at a serif-style font.

If you need any character set specifically, message me and I'll add them ASAP.

Contains:

-Basic Latin 100%!

-Latin Supplement 100%!

-Latin Extended A 100%!

-Latin Extended B ~60%

Planned: Cyrillic, Greek & Coptic, Latin Extended Additional

More coming soon!

Pixel + Serif

Best at pixel size (12px)

Because of the pixel design I was able to create lots of characters. Even control pictures (no matter if someone needs them). If you need more, just ask.

Cyrillic and IPA under construction.

font with alphabets used in the caucasus region...

this font has no bold horizontal line :)

i know, arabic is missing...

Small pixel font mimicking that those 90s toy screens, or calculators

currently 2931 glyphs