Mjölnir Razor Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including creative and artistic rights. Version 1.005

From the Mjölnir (Thor's war hammer) family. The Razor style denotes how sharp I made all of the lower serifs and other aspects of the design, while keeping that heavy slab hammer 'top'. 

I am a carpenter (of sorts) and this has to do with the fact that my hammer has a head divided into a blunt blow tool end and a prying end, usually for nails. I decided I wanted a version with a pry bar so sharp... GEEZ! look at that, I cut myself. Bloody hell.

Mjölnir Basic is Copyright 2020 by Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights.

Mjölnir Basic is the cut-down, non-updated version of Mjölnir for personal use only, NO derivatives allowed.

Mjölnir Flying novelty slab serif display font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights. Version 1.005

Mjölnir is the name of Thor's hammer (God of War), hence, I tried to make the letters resemble some sort of new fangled hammer.

Mjölnir slab serif novelty display font Copyright 2020 Doug Peters of Symbiotic Design, all rights reserved worldwide, including artistic and creative rights. Version 1.005

Mjölnir is the name of Thor's hammer (God of War), hence, I tried to make the letters resemble some sort of new fangled hammer.

Inspired by the Michigan M.

A surprisingly modern Western-themed type. Put pretty much every European language I could think of in here, therefore it's probably the most time-consuming one I've ever done.

I really liked my last slab serif font, and so I decided to make another one. This time, we've put the file on it and rounded the corners.

Experimented as I usually do with a half-thickness version of the font which looked good enough to do the entire thing over.

Naturally this is more of a body text font than the default Gemini.

I began doing a serif font, and found that I really liked it when I rounded the corners off a bit. It makes it look rather cyberwestern. Have you ever played Wild Guns on the SNES? It's got that vibe about it.

Just a Western font inspired by other Western fonts like "Bottoms" by rilencavy and "Western Calligraphic" by Wataru Aiso.

There are only a few characters in this font, and some of the punctuation might not be original.

The original Potato Font.

You can use this for anything you want!

Derivative of Whichcraft.  Both Whichcraft & TRE45ON are fonts created by and Copyright by Doug Peters (SymbioticDesign).

Copyright 2019 Doug Peters (https://www.Doug-Peters.com or https://Dougs.Work) of Symbiotic Design (https://www.SymbioticDesign.com).

Donations are super-appreciated.  Credit for my original work IS also greatly appreciated. 

I guess I would classify this one as: Experimental.
Type: Slab Serif Caps with Sans?
Weight: Heavy.
Web font: Yes.
Commercial use: Yes!
Derivatives: No.
Redistribution: No.

P.S.:
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Fonts and graphics blog:
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PayPal donations (to encourage my continued freeware font design efforts):
https://paypal.me/sitedesigner

Oh yeah, I design logos, websites, graphics, ads, marketing campaigns, PCs, and just about anything, really. -DP

A quirky Pseudostencil design with a central horizontal slot going through it. The "slot" is 1 brick tall for lowercase and 2 for uppercase, and becomes a vertical slot for numerals and certain symbols.

This is named for the cowboy and lasagna emojis. These were repeatedly added to then removed from several popular chat clients and websites. Changing emoji standardization or government conspiracy? YOU DECIDE.

By request, a semimodular font which looks like a casual interpretation of "General Failure". This is also more condensed and more Pixel Optimized than its predecessor. It makes me think "fire station in a cartoon".

It uses a technique which folds some slabs in, which prevents slabs from altering the heights of letters - but slabs are still allowed to alter width to some extent. The slabs which do this are incorporated into glyphs' structures to such an extent that they are integral parts of the linework.

This could be kerned more closely, but like me, the requestor uses software which doesn't support kerning. Consider the spacing as part of the desired quirkiness.

A slightly warped version of a pixel font. I made the slanted edges out of 1/12 triangles.

A vaguely Courierlike OSD (Onscreen Display) font which tries its best to be casual. The name is inspired by the old computer joke: "Who is General Failure and why is he reading my hard disk?"

No filters or faux-beziers, just stock bricks and a bit of stacking/nudging!

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More about the design:

It started as a doodle and an attempt to make a smooth, low-resolution, low-poly font, and then it became a Courierlike. I have other fonts that tried to do polygonal round shapes before this (such as Cartoon Riot) but this design is my first real success in this area.

Initially, I made the angled glyphs before the round ones. I didn't want to change the angled ones, so glyphs like C, O, and Q became a bit wider than they are tall. I'm quite fond of this, because in most designs these glyphs tend to have a tall and narrow character. I think the mildly squat look of this font makes it cuter and gives it more personality.

A lot of glyphs were altered in specific ways to look more like metal type, especially anything with diacritics which touch the letters themselves. Other glyphs were altered specifically to be interpretable at small size. I also use angled contours and actual round bricks alongside each other within the same glyphs, another technique which is geared toward style and interpretability at small size.

This font came with many new challenges and an array of new techniques had to be designed. Loops were an insurmountable challenge because of the low resolution and heavy line weight, so I drew rounded areas to suggest them. You can see it on letters like Greek γ, ζ, and ξ.

Work in progress

See more: https://fontstruct.com/fontstructions/show/760965/shlab

https://www.myfonts.com/fonts/typedifferent/bd-pankow/

http://www.myfonts.com/fonts/ywft/black-slabbath/

A cubed slab font is like Rockwell Font. It's more a serif font, the original name is Chino because in the tags there are a tag that says "Chino". the half blocks is for the Uppercase N.

Version 1.5

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Experimental slab-serif. The added height from the serifs is quantized so that the serifs, rather than the normal lines, determine a glyph's geometry.

It reminds me of the Wild West and the old cartoon "The Jetsons" at the same time. It uses two kinds of serifs: normal slabs and "hangover" serifs. The hangovers are the ones that look like overhangs. Is there another name for them? I don't know.

This font is set to appear in several games at once! I'm not the developer of any of them! WOO

Despite what you may have heard, a "hoedown" is just a party.

Version 1.5

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3x3 slab serif. This is based on Wallerton, Anachronistic Gunslinger, an IRC-based "TV show" which I used to write and produce. All the characters in the show were my AIs pretending they were cowboys.

Well, I managed to successfully produce a lowercase for this one!

Recommended: Use with kerning.

Clone of zlabby eYe/FS by elmoyenique (initial concept & awesome design, all uppercase characters, limited punctuation).

My contribution to this font project (this derivative font with the reserved name "Slabie") is to add a lowercase characters letterset and add more punctuation - modified by Doug Peters of Symbiotic Design (2018).

If you like/use it, we would appreciate credit for our contributions to the font design.

https://www.Doug-Peters.com/
https://Dougs.Work/
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My Font Groups:
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Xwept Plain font Copyright 2018 Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing & consulting.

https://www.Doug-Peters.com/
https://Dougs.Work/
https://HDWebHosting.com/
http://www.Font-Journal.com/
http://www.HyperlinkDirectory.com/

My Font Groups:
https://W3N.US/fonts
https://W3N.US/f0nts

Xwept Common font Copyright 2018 Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing & consulting.

https://www.Doug-Peters.com/
https://Dougs.Work/
https://HDWebHosting.com/
http://www.Font-Journal.com/
http://www.HyperlinkDirectory.com/

My Font Groups:
https://W3N.US/fonts
https://W3N.US/f0nts

An all-caps Slab Serif display type inspired by early 1900s themed font.

This font has a narrowed structure as well as a low X-Height throughout the entire typeface giving the typeface a more relaxed look. 

Pretro is a blocky and solid font with a modern touch to it, inspired by the late retro gaming era such games like Tron. The design consist of an inner open spaced font for diffrent variations: choices of color combinations. The font could be most seen for a title in a video game. 

"Do not use big fancy words around these here parts.  We done believe in speaking plain and clear.  You all might have the city learnin' we all don't've 'round 'ere, but we got plenty of buckshot for your ass when you use big lawyer talk'n to steal our land."

-Just kidding.

Xwept Plain Spoken for Common Folk font Copyright 2018 Doug Peters of Symbiotic Design.
-Logos, graphics, web design, brand marketing, media, tech & consulting.

https://www.Doug-Peters.com/
https://Dougs.Work/
https://HDWebHosting.com/
http://www.Font-Journal.com/
http://www.PremiumBrand.Name/

My Font Groups:
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https://W3N.US/f0nts

F77 Bold Serif is a serif font created by me.

I started off trying to do my own geometric font in the same sort of style as United Sans, and before I knew it, it had gone all futuristic. Or, 'what 80s Japan thought now would be like', at least. Still, I liked the direction it was going, so I ran with it.

It's a fair bit larger than my other fonts. Maybe it'll now display decently in my Photoshop.

This font draft was created with the theme of massive, I wanted to create something that looked physically imposing and noticeable. To create the structure, I looked at buildings and cityscapes around the busiest parts of Bristol City and wanted to play with perspective as if the viewer was standing beneath a building and looking up at it, I ended up making a font that reflected the uniformity and scale of buildings.