A rounded, incised, spurless sci-fi design with a heavy emphasis on visual balance.

Just a simple futuristic font I made.

ZAP ZAP ZAP

Another future retro style type

Enjoy!

Future retro style display type

Simple font designed to represent an alien alphabet with a vague resemblance to Latin. Accented characters provide more variations.

Asymmetrical alien techno stencil.

This uses some experimental techniques, of course, but I'm not sure how to concisely explain those. Let's just say that each type of line bend and line connection has a rule associated with it. These get naturally modified by the structural asymmetry the font has so that simple rules appear in many forms and variations.

An attempt to make an esoteric form of Latin which is governed by the same amount and extent of structural logic as normal Latin. In other words, Latin that is weird, but makes sense while being as readable to the initiated as normal Latin is. It's a design that is weird in order to make itself easier to read, not harder.

This is a borderline IVO design, not because of its appearance, but because it sometimes requires the same set of visual considerations to interpret.

Part of a multistyle typeface family "ALIENSTRA".

This actually was planned to be the first but issues with the original forces me to rebuild it completely. More styles will follow.

This is the cleanest variation in the planned display styles.

Enjoy!

Part of a multistyle typeface family "ALIENSTRA".

This is the first one that got finished for this project, a buch more will follow in this same family.

This is a decorated variation on the solid style (one that will follow soon as well).

Enjoy!

Insired by an artist's name on an album, I decided to make a complete alphabet that would fit the style of these 4 letters "MNQN," which is the name of the artist.

Sci-fi inspired font used for modern text.

By request, a polygonal font with a slightly militaristic feeling.

The truncated polygonal perimeter of most glyphs is somewhat inspired by the lettering on World War I planes, tanks, and ships. These forms of lettering tended to have more square aspect ratios. I changed that to give this font more personality and to condense it so more text could fit on a line.

In terms of what modern military setting this might fit into, it looks very Air Force- or Navy-esque to my eye. Check out contemporary video games and recruitment materials relating to those two branches and you'll see what I mean.

Two fonts used in the game Naively. Only the original character sets have been included.

By request, "a font where all the letters look like Mega Man capsules."

Pixel demake of Arizone Unicase. Same glyphs as the original.

A space-esque design made for a friend! The angular counters give this a simplified geometry which makes it easy to read despite its looks. Works well for small- or large-scale applications - chat, terminals, logos, and more. Supports Dutch, English, and Greek!

The original was cloned off and preserved elsewhere. The version you see here has centered glyphs.

A minimized, more stylized Madcat! :D

A vaguely organic sci-fi terminal design made for a friend!

A funky font made by request for a friend! It looks especially striking at 2x Pixel size.

A font designed for fast single-line marquee-style display.

This was made according to the speedreading considerations of specific people. So, not everyone will find it as readable as we do.

A variant of Marrada with more angles.

Usually with designs I try to make every part look like it "belongs" with the others as opposed to trying to make each part look its best. With Marrada, I struck a balance between the two. Q1@*&{} are probably the best examples of this sort of balance...

A subheader text font for FLAK materials. Its name is a palindrome. This description isn't, though.

Version History:

1.3: Added more symbols.

1.2: Added Dutch and German.

1.1: Q* were corrected.

1.0: Initial release.

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Font used for rAIn, shipboard AI of the RGS-1 Rainbow Loop. This will also likely be used in FLAK materials, as well.

Version 1.1: All 144 glyphs accounted for, changed to monospaced.

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A style of writing based on Orcish architecture, culture, and mythology. The main design rule was "no diagonals".

The name is inspired by Beogh, god of orcs in the Dungeon Crawl: Stone Soup video game.

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Original size: 6.75pt (use multiples of this size for pixel perfection)

Experimental sliced sans serif. My goal here was to make a design which would result in an extremely compact and durable physical stencil. Almost all of the sharp points and acute angles are within the negative space, so it should be easy and very safe to make, handle and work with this stencil.

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Version History

1.3 - added More Latin and Google Fonts Basic bands.

1.2 - added uppercase, changed name to "Aegris Stencil".

1.1 - edited for more readability at small size. Glyphs with enclosed loops were altered so that the "movement" of the segments always runs clockwise.

1.0 - released.

Font made for the title cards of a particular amateur movie!

(Hint: It's called "Terminatrix")

Version 1.1: KRX were modified to be more readable at small size, MQW14'"@ were edited for style, Basic Latin band completed, More Latin band underway.

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A font made by request for an author of custom Warhammer 40K modules.

A squareish and vaguely futuristic pixel design! It is not monospaced but still has a very "terminal" look about it.

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Original size: 5px (use multiples of this value for pixel perfection)