Jazeco is a modern take on Art Deco and 1920's Jazz age styled lettering. The styling was inspired by the theme of ‘Elegance’ and I have captured a new variant of the meaning with the specific style I have produced. With bold and rounded elements from the 1920’s Jazz period along with the thick spines and curvature from the Art Deco era, it’s capturing the specific beauty and ornaments that make these iconic styles so well known, into one font.
I wanted to create a font with big circles and arcs that ascended and descended, and what became of that experiment was this Art Deco font.
The at sign and registered trademark symbol were inspired by Roadway's unique at sign.
Finally done. Phew! It took two days to make this. This is a full collection of 5×7 Dot Matrix characters as seen on many devices, like Texas Instruments calculators. A lot of these are custom. Sources include TI-83, TI-86, TI-89, Casio Monochrome Graphing Calculators, Casio fx-115ES PLUS, and the rest, I created them myself. I included fractions for those themes on Microsoft Office don't have matching "1/3" and other fractions with the "1/4", "1/2", and "3/4". The fullwidth characters are substitutes for the other characters in the regular style, such as the math "x" and "y" from Casio.
Please note that character sets like Arabic and some Math Operators are beyond 5×7 pixels. If you want to know why? Because Arabic is very big and if I put it all in 5×7 pixels, the text will look weird, won't really fit inside, and there would be no point to it. I left it as is. Roman Numerals cannot fit if you were doing the "VIII" character, for example.
8/28/2019: Font created.
1/7/2020: Added characters in the following form: Fullwidth and Halfwidth are used for making TI-73 Explorer characters, plus actual monospace setting characters. Note that Runic, Tagalog, and Hanunoo are replaced with character variants. The last variation of a character is from Minecraft's font. The fractions are also changed to level the line spacing. The wide "M" is never ever for use on Monospacing.
1/8/2020: More variations are added, extended to replace Buhid. I also added other math symbols and more. To type x̄, press unicode shortcut and type 01b2. To type ȳ, press unicode shortcut and type 01b3. I also added over a hundred, or two hundred, more characters to stock up on the font. Oh and I changed the filters to separate the pixels for a more pixel and retro look. Also fixed the spacing on the "Щ" character.
wip. This font called this way: V+(Stalin`s)Empire style (that kind of estetic was born in Soviet Russia).
https://www.dafont.com/card-shark.fontThis is a clone
Somewhat of a accidental goofy future retro style font.
This initially started as a experiment into discovering new ways within small grid designs to gradually increase the radius of a small curve and find new transitions in their shape for making asymmetrical curvatures, all without compromising the smooth edges (2x2 for this one, with hairline stroke weight of 1/8th of a square grid unit). But, it quickly became a real font.
I have kept the variations for a number of eliptical shapes and curves I made so far in order to demonstrate what the goal for this was.
I hope you like it.
A cloned and semi connected variation to to SCHOLTEMEĲER (CONTIUOUS)This is a clone of STF_SCHOLTEMEĲER (CONTINUOUS)
Fitzgerald Sans is a retro, art-deco inspired typeface to be used for large text and display purposes.
LARGE AND CLUMPSY (THEREFORE VERY USELESS) BUT COOL LOOKING ART DECO TYPEFACE.
I saw a old poster on the internet and this is a remake of the font it used.
Work in Progress
The font combines a bit of two styles, which are 70's streamline art-deco style letters for the uppercase range and a more handwritten script inspired sans-serif lowercase letters that are somewhat looking like a comic book script too.
Besides still trying to get a more complete character set I'm also still experimenting with it so expect things to change most certainly future on.
Kerning is done only to a limited number of pairs.
Simple, clean and ellegant, that's sans serif font Metropolis. Inspired by art deco style and retro-futurism.
My fontstruct is based on the theme of theatre. The designs were achieved from my observations of some theatres in Bristol, as well as further research online. The main inspiration came from the achitecture around the stage curtains, which then lead me to a more art-deco style appoach.
70's Art Deco style Streamline typeface.
Most of the design credits for this font should go to Isaiah Garcia since I took the liberty of revisiting his fontstruction FS Idea https://fontstruct.com/fontstructions/show/816176/fs_idea
Please check out this member's awesome contributions here: https://fontstruct.com/fontstructors/559832/isaiah_garcia
There is one major design difference between the two works though, Isaiah's version was made using a faux bezier approach (very labour intensive) and requires a fairly large design grid, whereas my version was made using a mix of macaroni bricks and resized composites of these, and was done on just a 4x7 grid using 2:2 filter.
This different approach led to a number of small changes in the overal design result. Also did I change some glyphs slightly to my personal preference. But it remains very much Isaiah's design.
Another less important difference is that I used some of the lowercase string for alternative glyphs allow a number of stylistic variations!
A tall thin stroked Art Deco typeface experiment.
I tried to create pretty simple but ellegant geometric letterforms. It is inspired by the later 70's Art Deco Streamline period.
The character set is far from complete for now, kerning done only for a few pairs and overall balance therefor is still quite poor.
--------- UPDATE v2.0 ---------
I completed much of the basic latin with mix-caps alternative glyphs and a lot more, along the way the whole project also kind of turned into a attempt to construct very thin (1/8th grid unit) sloping strokes and asymmetric curves.
Sort of a revival of the geometric letters seen on a 1916 Dutch litho to paper poster for Wm H. Müller & Co.'s Batavier-lijn passenger service Rotterdam-London. The Batavier Line was the oldest steam shipping line in the Netherlands. The line existed from 1830-1960.
The litho design was originally done by Bart van der Leck (1876 - 1958).
The fontstruction is a Faux Bezier approach, so the design grid was huge. Making it a lot of work and hard to ballance with the editors kerning feature.
I made a couple of small changes as compared to the original, most significant is the upscaled Ampersand.
I completed the alphabet plus numerals and some punctuations.
There are still a small number of spacing issues that needs to be solved.
More characters will follow soon.