wip. This font called this way: V+(Stalin`s)Empire style (that kind of estetic was born in Soviet Russia).
https://fontstruct.com/fontstructions/show/1077935/electric_blueThis is a clone
Somewhat of a accidental goofy future retro style font.
This initially started as a experiment into discovering new ways within small grid designs to gradually increase the radius of a small curve and find new transitions in their shape for making asymmetrical curvatures, all without compromising the smooth edges (2x2 for this one, with hairline stroke weight of 1/8th of a square grid unit). But, it quickly became a real font.
I have kept the variations for a number of eliptical shapes and curves I made so far in order to demonstrate what the goal for this was.
I hope you like it.
A cloned and semi connected variation to to SCHOLTEMEĲER (CONTIUOUS)This is a clone of STF_SCHOLTEMEĲER (CONTINUOUS)
Fitzgerald Sans is a retro, art-deco inspired typeface to be used for large text and display purposes.
LARGE AND CLUMPSY (THEREFORE VERY USELESS) BUT COOL LOOKING ART DECO TYPEFACE.
I saw a old poster on the internet and this is a remake of the font it used.
Work in Progress
The font combines a bit of two styles, which are 70's streamline art-deco style letters for the uppercase range and a more handwritten script inspired sans-serif lowercase letters that are somewhat looking like a comic book script too.
Besides still trying to get a more complete character set I'm also still experimenting with it so expect things to change most certainly future on.
Kerning is done only to a limited number of pairs.
Simple, clean and ellegant, that's sans serif font Metropolis. Inspired by art deco style and retro-futurism.
My fontstruct is based on the theme of theatre. The designs were achieved from my observations of some theatres in Bristol, as well as further research online. The main inspiration came from the achitecture around the stage curtains, which then lead me to a more art-deco style appoach.
70's Art Deco style Streamline typeface.
Most of the design credits for this font should go to Isaiah Garcia since I took the liberty of revisiting his fontstruction FS Idea https://fontstruct.com/fontstructions/show/816176/fs_idea
Please check out this member's awesome contributions here: https://fontstruct.com/fontstructors/559832/isaiah_garcia
There is one major design difference between the two works though, Isaiah's version was made using a faux bezier approach (very labour intensive) and requires a fairly large design grid, whereas my version was made using a mix of macaroni bricks and resized composites of these, and was done on just a 4x7 grid using 2:2 filter.
This different approach led to a number of small changes in the overal design result. Also did I change some glyphs slightly to my personal preference. But it remains very much Isaiah's design.
Another less important difference is that I used some of the lowercase string for alternative glyphs allow a number of stylistic variations!
A tall thin stroked Art Deco typeface experiment.
I tried to create pretty simple but ellegant geometric letterforms. It is inspired by the later 70's Art Deco Streamline period.
The character set is far from complete for now, kerning done only for a few pairs and overall balance therefor is still quite poor.
--------- UPDATE v2.0 ---------
I completed much of the basic latin with mix-caps alternative glyphs and a lot more, along the way the whole project also kind of turned into a attempt to construct very thin (1/8th grid unit) sloping strokes and asymmetric curves.
Sort of a revival of the geometric letters seen on a 1916 Dutch litho to paper poster for Wm H. Müller & Co.'s Batavier-lijn passenger service Rotterdam-London. The Batavier Line was the oldest steam shipping line in the Netherlands. The line existed from 1830-1960.
The litho design was originally done by Bart van der Leck (1876 - 1958).
The fontstruction is a Faux Bezier approach, so the design grid was huge. Making it a lot of work and hard to ballance with the editors kerning feature.
I made a couple of small changes as compared to the original, most significant is the upscaled Ampersand.
I completed the alphabet plus numerals and some punctuations.
There are still a small number of spacing issues that needs to be solved.
More characters will follow soon.
This font was designed around the theme word Elegant. I was inspired to create a typeface that was ornate and palatial; it is a ode to Baroque design.
I have tried to emulate columns for the body of the font and created a crowned frieze for some of the letters with decorative toppers for the remaining characters.
Art Deco tile mosaic lettering design and background tile patterns.
It's designed to craft layers of typographic mosaics. It can create very subtle clear display text combinations when only layering text with just one or two backgrounds max. This will result in nice retro-ish mosaic typography. But beware, combining two or more background patters with for example different blending modes on each layer, this seemingly peaceful boy becomes capable of recreating the big bang!
All patterns are located in the Unicode block for Block Elements!
You know what, lets make this one clonable for everyone.