This is finished as far as I see useful for this competition. Based on Spheretta 5.7 by arseniiv from 2011 which I cloned quite a while ago as the uneven spacing-positioning of the dots on the ring could be improved with new fontstructor's features. I sent him a message about my clone but assume he hasn' frequented FS for a while, so he doesn't know about how I developed his idea and won't see that I've used part of his design in my "future comp" submission.
This is an uppercase font created using dots as the main element of design. A font to test your mind and your inner space nerd with it's out of this world feel.
This is a DMACC project. It has futuristic vibes with a blocky flow.
I tried to play with the art of tapestry and the digital area in order to achieve this font design. I've had a great time creating it and I really hope you like it :)
Paradoxy Effect, now with more dots.This is a clone of Paradoxy Effect
An experimental display typeface inspired by space and the moon. It includes dots that vary from uppercase and lowercase letters to allow a better flow between letterforms.
This typeface is loosely based on 80s era 8-bit games and fonts; but instead of hard edges such as squares, dots are used. Constellations also influenced the design of the font.
I really wanted to make a font with a fade effect in it, so I created one. Have fun with it :)
Recap of a dot matrix lettering taken from a colored sketch originally designed by Jurriaan Schrofer.
It been a while since I did one of Schrofer
A font wherein each glyph is depicted through the placement of exactly 5 pixels on a 5x5 grid. This was inspired by basketball where only 5 players per team are on the court at once.
I feel these glyphs could be useful for board games since it takes very few pieces to render these shapes.
Font built on a dotted grid. The sort of font you might create with a geoboard.
Recap of the lettering for "Bols Jaarverslag 1971" originally designed by "Jurriaan Schrofer".
Recap from one of the alphabets originally designed by Dutch graphical designer "Jurriaan Schrofer".
My sixth recap in a series to attempt to re-create some of the works from late great dutch graphic designer "Jurriaan Schrofer"(15 april 1926 – 1 juli 1990).
I hope you like it.
WiP. Suggestions? I'm thinking of making a fused stylistic set.
Pusk (russian "Пуск") means Start. Modern sans.
See more: Myriad
Smarty, DenHaag (A.Tarbeev)
https://web.archive.org/web/20180402025639/http://davidrudnick.org/CasziusThis is a clone of Antidot Sans
My font theme is systematic, I aimed to make a font that was precise and but also referenced technology in the patterns of a motherboard and the pixelated style. The dots also help form the illusion of curves.
Small and sassy. Circle bricks used for lc. Uc is more or less alternates - an evolution - of the lc. Final comp entry. It's always fun!!!This is a clone
This one-eyed character set places one circle-serif to start or end strokes somewhere on each glyph (except "O") in the set...hence it's name. Angled serifs acting as hands or feeet (or tails?) are used elsewhere. This is derived from the base font (lc) I used for previous efforts. I made it tall and then thought Cyclops (for SerifComp) to use now since I never released it (full disclosure). Anyway, a different view of what serif can be :)This is a clone
This font is an adaptation of Officina Sans by Erik Spiekermann. It is meant to save ink and therefore the planet and your wallet. It can be used up to 12pt, above that the dots become visible and it loses legibility.
Developed by Marcos Ribeiro & Paulo Teixeira