Eclectic pixel/mosaic decorative font. Безумный, сочный пиксельный(высота сетки 9) шрифт для игр и диодных-led панелей, в которых формальный шрифт просто непредставим. Грфика знаков буквально зовёт отправиться в путь, в путешествие или на отдых.
This is a thick dot-matrix version of a very popular classic computer, and it's normally used on word processors, electric billboards, etc. Probably a great font! Update: I just updated to the better, thick dots for all letters and symbols.This is a clone of Apple 2b Dot-Matrix
It's got more "okayer" detail than the other one. Just as okay as the other one. Really.This is a clone of 8x8 Okay Screen Solid
This font is a recreation of Richard Wisan's "ELITEQ.LQN" font file (c) 1990 for use with the program LQMATRIX. From Mr. Wisan's comment in the LQMATRIX documentation file: "ELITEQ.LQN: resembles Epson's resident Roman font, but slightly reduced to suit elite spacing."
LQMATRIX was a font design program for use with Epson LQ [Letter Quality] 24-pin dot matrix printers and compatibles. Created by noted linguist, anthropologist, and photographer J. David Sapir, the program had its beginnings in 1985 and was published by Jimmy Paris Software; the last known version that I have been able to find is version 4.44 (1991). Mr. Sapir included font set submissions from LQMATRIX users in some of the later updates; my version includes Mr. Wisan's file. A screenshot of the program is included in the comments section below.
While the graphics mode of dot matrix printers could print rather complex pictures, it remained extremely slow for large amounts of specialized text. By uploading an LQMATRIX font file into the printer's RAM, the temporary font could be used interchangeablely with the printer's resident ROM fonts. The result was a much faster print speed with little sacrifice in quality -- plus, one could design their own special glyphs or characters to suit their needs!
This was accomplish by a sophisticated design program included with LQMATRIX, whereby users could create and save characters or symbols on a 24 vertical by 15 horizontal grid for the ASCII locations 032–126 (although 001-127 were permitted). One could even place dots in the 14 half-positions along the horizontal.
I have cleaned-up some of the curvatures and harmonized a number of glyphs (along with outright modification of a few, like W and w), yet they still adhere to the same 24 x 15 grid. The original designs can be found beginning in the "More Latin" section. Because the characters for "left single quotation mark" and "right single quotation mark" were not present in DOS, I have "created" them here for sake of completion.
WiP. Suggestions? I'm thinking of making a fused stylistic set.
Pusk (russian "Пуск") means Start. Modern sans.
See more: Myriad
Smarty, DenHaag (A.Tarbeev)
https://web.archive.org/web/20180402025639/http://davidrudnick.org/CasziusThis is a clone of Antidot Sans
This one-eyed character set places one circle-serif to start or end strokes somewhere on each glyph (except "O") in the set...hence it's name. Angled serifs acting as hands or feeet (or tails?) are used elsewhere. This is derived from the base font (lc) I used for previous efforts. I made it tall and then thought Cyclops (for SerifComp) to use now since I never released it (full disclosure). Anyway, a different view of what serif can be :)This is a clone
This font is an adaptation of Officina Sans by Erik Spiekermann. It is meant to save ink and therefore the planet and your wallet. It can be used up to 12pt, above that the dots become visible and it loses legibility.
Developed by Marcos Ribeiro & Paulo Teixeira
Made to print some decorative corners on A4 sheets; this will make a novel Yule gift for someone lucky enough to know me ;)
Of course it could also be used as a code:D
Kulibin or Kulidyaka? Kulich?
See more: https://www.fontsquirrel.com/fonts/list/foundry/alexey-kryukov
Eda (by Alexander Tarbeev)
Kostro, 21 Cent (https://yurigordon.com/ru/shop/fonts)
Kazimir, Parmigano, Brioni, Karloff (https://type.today/en)
Marian family(19c), Caponi (https://commercialtype.com/)
Martin Majoor`s fonts (https://www.fontfont.com/designers/martin-majoor)
Apriori (Vera Evstafeva)
WMagazine`s BB font
Stylising 19th-century grotesque.
See more: Differentura, Steinbeck (Roman Gornitskyi)
LilienthalGrotesk (Vera Evstafeva)
To read: http://letters.temporarystate.net/entry/1/This is a clone of Antidot Sans
Eclectic old-fashioned font with short ascenders and single-width proportions.
Rossica (Vera Evstafeva)
http://typejournal.ru/en/articles/Civil-TypeThis is a clone of Chrysalide Modern